Pearl Jam rose from the ashes of Mother Love Bone to become the most popular American rock & roll group of the ’90s. After singer Andrew Wood overdosed on heroin in 1990, guitarist Stone Gossard and bassist Jeff Ament put together a new band, bringing in Mike McCready on lead guitar and recording a demo with Soundgarden‘s Matt Cameron on drums. Thanks to future Pearl Jam drummer Jack Irons, the demo found its way to a 25-year-old San Diego surfer named Eddie Vedder, who overdubbed vocals and original lyrics and was subsequently invited to become a part of the ensemble (then christened Mookie Blaylock after the NBA player). Dave Krusen was hired as the full-time drummer shortly thereafter, completing the original group. Renaming themselves Pearl Jam, the lineup recorded their debut album, Ten, in the beginning of 1991, although it wasn’t gave us until August; in the meantime, the majority of the band appeared on the Andrew Wood tribute project Temple of the Dog. Krusen exited the band shortly after the release of Ten; he was replaced by Dave Abbruzzese.
Ten didn’t begin selling in significant numbers until early 1992, after Nirvana made mainstream rock radio receptive to alternative rock acts. Soon, Pearl Jam outsold Nirvana, which wasn’t surprising — Pearl Jam fused the riff-heavy stadium rock of the ’70s with the grit and anger of ’80s post-punk, without ever neglecting hooks and choruses; “Jeremy,” “Evenflow,” and “Alive” fit perfectly onto record rock radio stations looking for new blood. Pearl Jam’s audience continued to grow during 1992, thanks to a series of radio and MTV hits, as well as successful appearances on the second Lollapalooza tour and the Singles motion picture soundtrack (Stone Gossard also embarked on a side project called Brad, which gave us the record Shame in early 1993).
Despite their reputation as rock & roll superstars, the lineup refused to conform to the accepted conventions of the material industry. The band refused to release any videos or singles from their second album, 1993′s Vs. Nevertheless, it was another multi-platinum success, debuting at number one and selling nearly a million units in its first week of release. On their spring 1994 American tour, the band decided not to play the conventional stadiums, choosing to play smaller arenas, including several concerts on college campuses. Pearl Jam canceled their 1994 summer tour, claiming they could not keep ticket prices below 20 dollars because Ticketmaster was pressuring promoters to charge a higher price. The band took Ticketmaster to the Justice Department for unfair business practices; while bickering Ticketmaster, they recorded a new record during the spring and summer of 1994. After the record was completed, the band fired Dave Abbruzzese, replacing him with former Red Hot Chili Peppers and Eleven drummer Jack Irons.
Vitalogy, the band’s third album, appeared at the end of 1994. For the first two weeks, the album was only available as a limited vinyl release, but the record charted in the Top 60. Once Vitalogy was available on CD and cassette, the album shot to the top of the charts and rapidly went multi-platinum. Pearl Jam continued to battle Ticketmaster in 1995, but the Justice Department eventually ruled in favor of the ticket agency. In early 1995, the ensemble recorded an album with Neil Young. Meanwhile, Vedder toured with his wife Beth’s experimental ensemble Hovercraft in the spring of 1994 as Stone Gossard created an independent album company; Mad Season, Mike McCready’s side project with Layne Staley of Alice in Chains, put forth their first album, Above, in the spring of 1995. a combination of entirely of Neil Young songs, Mirror Ball appeared in the summer under Young’s name; although the individual members of the group were credited, the name Pearl Jam did not appear on the cover due to legal complications. Pearl Jam issued a single culled from the sessions, titled Merkinball and featuring the songs “I Got Id” and “Long Road,” in the fall of 1995.
In late summer of 1996, Pearl Jam put forth their fourth album, No Code. Although the record was greeted with fairly positive reviews and debuted at number one, its weird amalgam of rock, worldbeat, and experimentalism dissatisfied a large portion of their fan base, and it quickly fell down the charts. The record’s performance was also hurt by Pearl Jam’s inability to launch a full-scale tour, due both to their battle with Ticketmaster and a reluctance to spend months on the road. The lineup spent most of 1997 out of the spotlight, working on new music; Gossard also released a second album with his side project Brad, titled Interiors. By the end of the year, Pearl Jam had completed a new, harder-rocking record entitled Yield. The album was greeted with enthusiastic reviews upon its February 1998 release, but its commercial fortunes weren’t quite as clear cut. during their sizable cult embraced the album, sending it to number two its first week of release, Yield rapidly slipped down the charts. Pearl Jam supported the record with a full-scale arena tour in the summer of 1998, issuing the concert LP Live on Two Legs at the end of the year; Jack Irons did not participate due to poor health, and was took the place by ex-Soundgarden drummer Matt Cameron.
In 1999, Pearl Jam scored an unlikely pop radio smash with their cover of the J. Frank Wilson oldie “Last Kiss,” originally gave us as the seventh in a series of fan club-only singles that had also featured several incongruous covers in the past. Demand from fans and radio programmers resulted in the national release of “Last Kiss,” and it eventually became the band’s highest-charting pop hit to date, peaking at number two and going gold. The lineup came back in 2000 with the Tchad Blake-produced Binaural. In order to circumvent bootleggers, their subsequent European and American appearances were recorded in full and released in an unprecedented series of double-CD sets, each of the 72 volumes featuring a complete concert. 2002 saw the release of Riot Act, a muscular — and critically lauded — collection of new music that found the group dabbling in experimental art rock. Two anthologies arrived in 2003 and 2004, Lost Dogs: Rarities and B Sides and Rearviewmirror: Greatest smashes 1991-2003. They were followed in 2006 by the eponymous (and all-new) Pearl Jam, a number two hit on the record charts.
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